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Saturday, December 20, 2014

Legend of Korra: Kuvira's Gambit Review

Kuvira begins her assault on Republic City in "Kuvira's Gambit." 

*Spoilers Ahead*
As before, since you should have already watched the episode, a recap of the story should be not necessary. With that said, most of Team Avatar is finally back together, except for Asami, who is still sidelined. However, with a larger focus on the Beifong family, I do not mind it all that much. I am not sure about the rest of you, but the Beifongs continue to be the highlight of whatever episode that they are featured in. Suyin is quickly becoming one of my favorite characters, and her interaction with her son is very well done, and it adds some good drama.

Prince Wu actually has another great moment when he addresses the city to help lead the evacuation. Throughout the season, Wu is shown to be an idiot, yet there is still some good in him. 
Korra and the Airbender's covert mission to capture Bataar, with the assistance of the other Airbenders, is a very fun scene. Finally, Tenzin is able to do something this season, along with his brother.

Finally, the episode ends with Kuvira using the Spirit Vine ray to attempt to kill Korra, at the cost of even her future husband, Bataar. Kuvira is a truly ruthless antagonist, and her willingness to sacrifice her lover is a great way to show her commitment to the cause. The episode also concludes with an implied possible death of certain characters. Since the series is still technically "family-friendly," they might not be able to kill off one of the characters. However, I am really hoping that since this is the final season, the creators are willing to kill off one of the main heroes, as unlikely as that is to happen.

In terms of animation, the long distance frames showing the city are superbly drawn. However, the episode also featured some oddly placed still frames. Throughout season four, there is a noticeable lack of either budget or time to complete the animation, with various parts that are clearly trying to save money. The average viewer might not notice the drop in budget throughout, but as an animation enthusiast, it is most definitely noticeable. At least the action sequences are great! 

Overall: 8.6/10- "Kuvira's Gambit" is yet another strong episode of The Legend of Korra. Please be sure to check back tomorrow for my review of the series finale.


If you want to contact us or have any questions please send an e-mail to johnstarslayer@gmail.com.

Friday, December 19, 2014

Akame ga Kill Review

Akame ga Kill, a series that is set in a fantasy world where an evil Empire reigns over the land with an ironfist, and as with any evil Empire, there is an opposing rebel force known as The Revolutionary Army. However, the anime follows Night Raid, The Revolutionary Army's group of assassins that essentially do the dirty work of the army by assassinating key targets and fighting The Empire's elite force. Also, each member of Night Raid carries an Imperial Arms, also translated as "Teigu," which are powerful ancient weapons with various abilities.
What sets Akame ga Kill apart from most shounen action anime, a genre that is often hit and miss for me, is one simple fact: Any character can die. While Attack on Titan featured a similar draw, Akame ga Kill takes the "anyone can die" premise to another level. In Attack on Titan, the supporting cast can die without warning. On the other hand, any of the main characters of Akame ga Kill can die, because there is absolutely zero plot armor. Often times, shounen anime is notorious either not killing off characters or bringing them back to life, and and Akame ga Kill subverts this cliché. In addition to that, Akame ga Kill is a much more violent series than most anime.

The Good: Anyone can die, Esdeath is the best villain of the year, Uncensored blood and gore, Surprisingly satisfying conclusion, The Jaegers are well development, Impressive action sequences, Shocking and emotional deaths, Usually good sense of humor, Both villains and heroes received developed, Excellent animation, Complete lack of plot armor, Strong second half, 

The Bad: Weak first 8 episodes, Clichéd and poorly developed villains in the first half, General shounen clichés, Lighter tone can undermine drama at times,

Plot: 7.2/10- Akame ga Kill's plot is a relatively straightforward story of standing against tyranny, and the war setting provides an easily explained reason for the constant battles. Where Akame ga Kill falters is in the first eight-ish episodes. During those episodes, the series had its moments of entertainment, but the horribly clichéd villains, whose only motivation is that they are evil, are incredibly annoying and boring to watch. Oversized and cackling villains are the worst cliché that a shounen can have, and there a several of them. Fortunately, after those early episodes, the series introduces the villainess Esdeath, and, what is essentially the Empire's version of Night Raid, the Jaegers. Whereas the previous villains were dull and one-dimensional, Esdeath and the Jaegers are fleshed out antagonists, which make the second half significantly more involving.
Another issue is that the Akame ga Kill's tone clashes with itself at times. Even though characters die left and right, there is still a lot of typical shounen humor and fanservice. On one hand, the humor is actually rather funny, and it makes the episodes that focus more on Night Raid preparing for the next battle all the more entertaining to watch. On the other hand, if Akame ga Kill truly wished to create something truly different than the typical shounen series, it could have been more serious.
However, the mix of humor did not affect my enjoyment all that much, since I only ever expected a shounen action series.
Lastly, Akame ga Kill takes a controversial departure from the manga in the last few episodes to create an anime original ending, so that the series is not left on a cliffhanger. Typically, anime original endings are convoluted and rushed, and while it is not perfect, Akame ga Kill’s ending is one of the most satisfying anime original endings out there, at least for someone who has not read the manga. In fact, the ending actually had some excellent thematic elements that fit the series perfectly, and if I did not know the series departed from the manga, I would not have even guessed that it was a rushed conclusion.

Characterization: 8.3/10- For the main characters in Night Raid, the characterization starts out a bit weak in the early episodes with many of the characters falling into various archetypes. The characters were not bad characters by any means, in fact they were generally likable, but the writing could have been better earlier in the series. However, after the early episodes, the characters in Night Raid really started to grow on me, to the point where the various character deaths did have an effective emotional impact, with moments many that left me in shock. Among my favorite characters from Night Raid include Mine, Leone, and Akame.
On the other side, there is the Empire's version of Night Raid, the Jaegers, who are often more interesting than Night Raid, namely the best part of the series, Esdeath. 
Esdeath is the highlight of the series as far as I am concerned. She is a completely psychopathic and ruthless killer, who enjoys the thrill of battle above all else. Esdeath's backstory actually provides a good reason for her "survival of the fittest" mentality, so she is not a complete monster monster, and yet her villainy is never undermined. As in various other media, the "crazy chick" is my favorite character, and in the 2014 year in anime, there has yet to be a better villain.
As for the other Jaegers, the series adds a layer of moral ambiguity as it even makes a character, who burns down villages that oppose the Empire, a surprisingly likable, and often humorous, family-man type character. The other characters in the Jaegers all have their reasons for joining the Empire's side of the fight, some of whom are effective thematic mirror images of Night Raid. 
One aspect that may have impacted my opinion of the characters is that this is the first 24 episode anime that I watched as it aired, so I followed these characters for nearly half a year! In a way, I feel like I was on the journey with the characters throughout the course of the 24 weeks, so it made me more attached to the characters compared to how it might have if I watched the series in a week.

Action: 9.3/10- 2014 has featured several top tier action anime and none are more exciting than Akame ga Kill. Due to the fact that any character can die, every battle actually has consequences and a heightened level of suspense. Also, since each character's Imperial Arms is unique, most the battles are entertaining and unique to watch unfold. Of course, the action sequences are typical shounen action scenes with the characters using special powers and various other clichés; however, it is some of the more entertaining shounen action. 

Acting: 8.4/10- Per usual, the Japanese cast is exceptional, with Satomi Akesaka as Esdeath being the highlight.

Animation: 8.8/10- White Fox's animation features a relatively standard shounen style. However, the animation excels in the overall quality of the art style and character designs. The series' colors pop and the characters are crisply rendered, without many noticeable drops in budget.
Another strong point is that Crunchyroll aired the uncensored version of the series, so it completely avoids the frustration associated the censorship of violence. On the possible negative side, there is fanservice.

Soundtrack: 8.5/10- Taku Iwasaki's score is superb, and it features many unique tracks that set itself apart from most action series. Unfortunately, the soundtrack is not released on its own as of today.

Humor: 8.1/10- Akame ga Kill's humor is both a highlight for me, and possibly a negative for others. On its own, the humor is often funny, even if it can be clichéd. The episodes in-between the battles feature the most humor, and more often than not, the jokes and antics make me laugh.

Opening and Ending: 8.0/10- Akame ga Kill's second opening, "Konna Sekai, Shiritakunakatta," is the highlight of the openings and endings featured in the series. 

Entertainment Value: 8.4/10- After those weak early episodes, Akame ga Kill is a very entertaining shounen action anime. It has the humor, action, and generally entertaining tone that a good shounen should have.

Overall: 7.5/10- Akame ga Kill is leaving me conflicted. It is most certainly flawed, and it does not quite fully capitalize on its premise, yet, as the series continued, the characters grew on me, and since anyone can die, each battle is filled with a level of tension not found in many shounen anime. With the addition of high production values and a surprisingly satisfying conclusion, Akame ga Kill sets itself just far enough apart from the typical action series to be one of the more entertaining anime of 2014.

Closing comments: As far as action anime that are not 100+ episodes go, Akame ga Kill is one of the better ones, and if that is a genre that you are particularly interested in, definitely give it a watch.

Recommended for: Shounen fans, Action fans, Fantasy fans, 

To read more of my anime reviews, you can click here.
Also, if you have reviewed this anime, leave a comment with a link to your review and I will post it here (providing it does not contain any explicit content).


If you want to contact us or have any questions please send an e-mail to johnstarslayer@gmail.com.

Thursday, December 18, 2014

New Blog Header!

Today I unveil a new, and long overdue, header for J and J Productions 1809! Let's do a quick rundown of the various changes. 
First, instead of just replace a few posters, I decided to change things like the blog's slogan, which is now "A Blog About Movies, Anime, TV Shows and Everything Geek," and with the current direction of the blog, it seems to be a better fit. 
As for the other changes, I added the full name of J and J Productions along various new posters from a few popular television and anime, since those topics have almost become more popular than the movies. In addition to that, I replaced all of the posters, even the ones that look the same, with high resolution versions so that the header is clearer. Below the image of the new header, is the old one, so that you can see how it has changed. Hopefully, the new header better reflects the content of J and J Productions since the last update way back in the summer of 2013. Also, has anyone actually seen every film/TV show on the header? Please let me know what you think of the new header in the comments below, and check back Monday for my review of Transformers: Age of Extinction and tomorrow for my review of Akame ga Kill.



If you want to contact us or have any questions please send an e-mail to johnstarslayer@gmail.com.

Wednesday, December 17, 2014

The Hobbit: The Battle of the Five Armies Released Today!

The Hobbit: The Battle of the Five Armies is out in theaters today! For some reason, the US release date is on a Wednesday, instead of a Friday or Thursday, but hey, that means we get it a couple of days earlier! 
Usually, I watch/read other reviews, but with the exception of Rotten Tomatoes, I have decided to avoid most reviews until I actually get to see the film. However, from the little that I have read on Rotten Tomatoes, it seems to be on par with the previous films in the trilogy. Hopefully, I will be able to go see the film sometime next week and have the review up before Christmas. Are you excited for the Hobbit? Please comment below, and do not forget to check back tomorrow for the unveiling of the blog's new header, and Monday for my review of Transformers: Age of Extinction.


If you want to contact us or have any questions please send an e-mail to johnstarslayer@gmail.com.

Tuesday, December 16, 2014

The Disappearance of Haruhi Suzumiya Review

Every so often you come across a film that virtually flawless in almost every way. It might not the best film ever, but there are no discernible flaws to be found, and the result is an amazing experience that has few equals, and The Disappearance of Haruhi Suzumiya is one of those films. In addition to all that, it is also my favorite Christmas film.
The Disappearance of Haruhi Suzumiya is a sequel to The Melancholy of Haruhi Suzumiya series. If you remember my review of the series, you would know that it is a wacky and fun sci-fi adventure comedy that I highly recommend if you want to watch something fun, and you can find my review for the series by clicking here. However, unlike the series, The Disappearance is a serious, character driven drama with elements of mystery and science fiction. 

Directed by: Tatsuya Ishihara 
Genre: Sci-Fi, Drama, Dramedy, Christmas,
Release Date: February 6, 2010
Running Time: 164 minutes (the longest anime film ever)
MMPA rating: PG-13

The Good: Tour de force of character development, Stunning animation, Retains some comedic moments, Perfect pacing, Strong emotional core, Nearly flawless, Makes "Endless Eight" important, Fantastic English dub, Superb soundtrack, Satisfying conclusion,

The Bad:

Plot: 10/10- For a movie that is 164 minutes, the same length as The Dark Knight Rises and The Hobbit, The Disappearance of Haruhi Suzumiya feels so amazingly short. How does it accomplish this amazing feat you may ask? With flawless pacing. 
There was never a dull moment throughout the entirety of the film, although some might find the beginning a tad slow. However, the pacing during those early scenes is brilliantly used to create the atmospheric setting and to set up the satisfying character moments. 
Nagaru Tanigawa’s original source material and Fumihiko Shimo’s screenwriting provides for one of the most flawlessly crafted pieces of fiction of ever put to screen. Even the time-travel element is adequately explained, without having to devote too much time to exposition. 
If I was forced at gunpoint to actually find a flaw with the film, the only that I could possibly surmise is that the ending was left slightly open-ended for further adventures, but at the same time, the ending provides more than enough character conclusion and allusion to what most likely happened that there is really no need for anything more.

Characterization: 10/10- While The Disappearance still retains some of the great comedic moments from the series, the film is more of a drama with elements of mystery and science fiction. Dramas are notoriously difficult to pull off effectively, because if you do not care about the characters, there is virtually nothing for the audience to attach to or enjoy. What makes Disappearance work, is that the characters have already been previously established in the series, which is mandatory viewing before watching the film, Therefore, it provides more time to development the characters.
In many ways The Disappearance is a lot like Serenity in the Firefly franchise in that you could watch the movie without watching the series but the emotional impact and character development is completely lost and you end up with a fun movie that is completely out of context.

With all that said, The Disappearance is Tour de force of characterization, at least of the two characters that the film focuses on, Kyon and Yuki Nagato. Despite Haruhi Suzumiya being the titular, she is not the focal point of the film thematically, although her character still drives the plot forward.
Yuki Nagato is given ample of character development, as the film is a character study of Yuki. The film uses the controversial, and partially infuriating, "Endless Eight" storyline to actually provide incredible depth to the character of Yuki, as well as being an important experience for the audience to truly understand the character’s struggle. 
Again, if I was forced at gunpoint to offer criticism about the characterization, it would be that the other three members of the SOS Brigade are not given much development, which is so incredibly insignificant of an issue that it never comes to mind while watching the film.

Acting: 9.8/10- Obviously, whichever dub you watched the series in is the suggested one to watch for the film. With that said, Crispin Freeman kills it yet again as Kyon, and Michelle Ruff should be given special praise for giving Yuki another layer of emotion and character through her superb performance.

Art Style: 9.9/10- Kyoto Animation takes their already high quality animation for the Haruhi Suzumiya and dials it up to over 9000! Seriously, The Disappearance of Haruhi Suzumiya contains some of the most beautiful and stunning work from any anime film. Even the more mundane scenes are crisp and incredibly high in quality. 

Soundtrack: 9.6/10- The score by Satoru Kōsaki and Ryuichi Takada ranges from lighthearted and fun to emotional and inspiring to absolutely freaking epic. Few scores manage to make the various genres work, and Disappearance is certainly a perfect example. Also the opening song from season one, "Bōken Desho Desho?" makes a more than welcome return.

Humor: 8.4/10- While not as humorous as the series, The Disappearance still retains some of the comedic gold that the series featured heavily.
Entertainment Value: 10/10- Even though some might find the film too slow for their taste, for those interested in character driven dramas with the lovable characters from the series, it is incredibly entertaining, especially seeing how the concept and characters are portrayed flawlessly.

Overall: 9.9/10- The Disappearance of Haruhi Suzumiya is truly a special work of fiction. From the unparalleled characterization to the stellar production value, it is one of the few nearly flawless films that I have ever had the pleasure of witnessing, and it is easily among my favorite films of all-time....

Closing comments: To experience this masterpiece of animation, viewing the series is mandatory, which unfortunately makes the viewing audience limited. However, if you want to experience one of the cornerstones of modern anime greatness, do yourself a favor and watch both the series and the film.

Recommended for: Anyone that watched the series, Otaku, Animation fans, Drama fans, Sci-Fi fans,

Unfortunately, the film is not available for legal streaming, and Blu-Rays, if you can find them, run for upwards of 100 US dollars!

Since only those that have seen the series have probably seen the Disappearance, I want to add another opinion of this masterwork from my favorite critic, GRArkada, aka Tristan Gallant. Of the reviews I have seen from him, which is 98% of them, this is the highest rating I have seen him give a film. Warning however, since his review does contain some mild spoilers.


If you want to contact us or have any question please send an e-mail to johnstarslayer@gmail.com.
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